nicholeV photography, LLC
# Thursday, March 03, 2011
Thursday, March 03, 2011 10:16:10 AM (Mountain Standard Time, UTC-07:00) ( )
Alright. So this is a question that has plagued me for several years. Photography and digital art have essentially merged into one. The line between what is "real" (i.e. photographed in the physical world) and what is "artificial" (i.e. drawn or otherwise created on a computer) has become utterly blurred. The vast majority of award winning competition prints are usually a mish-mash of digitally-composited elements some of which are taken from photographs and others that are drawn/created in a variety of computer programs. In the end, you have something that is unarguably a beautiful work of art. But is it really photography? Or is it more altered art or altered photography?

I've struggled with this question, wondering where to take my work. Obviously, some aspects of photography remain firmly grounded in the "real" like photojournalistic images at a wedding, etc. And anyone who has taken one of my workshops or chatted with me knows that I'm a firm believer in getting the image right in-camera. It's the only way to actually make a real living out of photography. You can take 2 minutes to fix a problem with a photo (like stray hairs or bad light or poor posing) or spend an hour in Photoshop fixing the mistake. Obviously, the less time you spend, the more money you make overall. So there is a strong pull for me to do as much as possible in-camera as I shoot.

But who doesn't love a little bit of drama and art unfettered by the reigns of reality? And I have to admit, it's wonderful to be freed from the whims of nature and physics when wanting to realize an artistic vision for a composition.

So here's an example. I took this image with a definite idea in my head of what I wanted the final image to look like. But time and the physical world weren't cooperating with me on this day. I had all of 3 minutes to take this shot. Not enough time to set up a light. And it was the middle of the day, so no directional light to work with. But I had an idea and still took the shot anyway, knowing that the "art" would have to happen in Photoshop.

So here is the original RAW SOOC image. It's not the best image. I went for a middle exposure with the shot, leaving the child a little dark but also leaving a little detail in the window. I knew that this exposure would leave me detail in my highlights but also give me enough detail in my shadows too to create a better balance of exposure in Photoshop.



So step one in Photoshop was to bring up the exposure of the child in RAW and fix the obvious problems of cropping and perspective. Obviously, this step completely blew out the window detail, but I knew that I would bring that back in the next step.



So the next step was to leave the exposure on the essentially child the same, but bring down everything else. I brought in a dark exposure of the window and masked it into the shot and added multiple layers to darken the image.



The next step was to reduce the color in the image, creating a vintage look:


The next step was to create a definite source of directional light in the image. So I created light rays in Photoshop. This took several layers and some fancy blending to create the correct spread and sense of light.


I then added a texture for added warmth and depth.



The final step was to add a curved vignette to the edges and a vintage photo border:


Obviously, the final image is drawn from the original photograph, but it has artificial elements that were wholly created in PS. This image could have been taken to look like this SOOC (more or less), but it would have required a lighting crew and several hours to set up. And in the end, this was probably faster to do in PS, haha.

Of course, this is a mild example of digital image manipulation. But the question still remains for me . . . . at what point does something cease to be a photograph and become something else entirely? And is it a line that should concern me in the first place?

Comments [9] | | # 
Thursday, March 03, 2011 1:05:35 PM (Mountain Standard Time, UTC-07:00)
Hi Nichole, My daughter Callie was a "model" for your last photography workshop in SLC with Maddie Meuter. I would love to see the photos that were taken and get one of her. She was wearing the olive green dress. Could you email me and let me know if that's a possibility? Thanks so much! ccccpeterson@q.com
Cammy Peterson
Thursday, March 03, 2011 1:55:43 PM (Mountain Standard Time, UTC-07:00)
I don't think something ceases to be a photograph just because you added and enhanced it in Photoshop. We live in a digital age and Photoshop is definitely an artistic medium. Some use it to develop photos and others use it to create new works of art entirely! I love your photos and definitely think there is room for both types of images in photography. Not sure there is a line or that you need to be worried about crossing it! Photography and art are about seeing and creating! I am sure there will be those that think differently than me. Just my few thoughts!
Thursday, March 03, 2011 2:04:33 PM (Mountain Standard Time, UTC-07:00)
Honestly Nichole, I solve this conundrum by just thinking of photography as an art form. I feel the style you have developed is art, pure and simple, no matter what the additions are. For my business I define it as creative photography, and I actually love the creative process and magic of layers and textures and frames. This is what I can provide that my clients can't - they can take the first picture themselves just fine, but they can't "create" the final one above like you can. I think they will desire and value the last one more because of that. This provides a value to your work that is tangible. We have to stay beyond the "Uncle Bobs" who are all over out there and taking very adequate and at times even inspired pictures. We must continually redefine the value within the experience a client has when they see themselves or their children in a beautiful way they hadn't realized existed. Running on a bit cause I too have been thinking a lot about what above and beyond value I provide for a client, and how I can keep that evolving as DSLRs flourish and technology evolves (I HATE that commercial where the Mom pulls a head off one picture and puts it in another picture in about five seconds!) I think it's imperative we keep pushing this envelope as long as we love the output.
Thursday, March 03, 2011 5:09:23 PM (Mountain Standard Time, UTC-07:00)
I think as long as what you create draws the viewer in and makes them FEEL something...it doesn't matter what you call it. Photograph, painting, pencil drawing...it's all good. Plus, those who take the extra time to make an image different and special will not only set themselves apart from the masses, but they will also give the client something that really does look like art.
Friday, March 04, 2011 5:21:53 AM (Mountain Standard Time, UTC-07:00)
I love it!
Friday, March 04, 2011 10:08:24 AM (Mountain Standard Time, UTC-07:00)
Hi Nichole! Love the print & process all laid out. I'm not alone! I've thought about this from the beginning of my days as a photographer. I started out in landscape and have early on wondered if it was right (yes, right vs wrong) to manipulate colors, sunsets, skies, fore/back grounds. Reason being, how many vacation hotspot photos have we seen but to show up and think, "this is not what I saw in the magazine or the website." I think it's one thing to make a red sky turn into purple or blue; that truly would be photograhic ART, where there was a photographic original but was manipulated to become something of another nature. It's another thing to "enhance" a photo, such as sharpening, vignetting, selective exposure, etc, where the original truly in essence remains so, but..."better." We all know our cameras cannot replicate what our eyes see, so to include filters/ND filters/diffusers, I have reasoned, is ok because what we end up seeing on the photograph is what we saw in real life. I've come to the conclusion that people still do gravitate toward idealized vacation photos, let's say, or any other genre to be thought of, because everyone's minds have some general ideals about how some things SHOULD look like, and that's what people desire to see in photography. No on wants to see a dull, grey lake - they see a blue lake with reflected sun sparkles in their hearts and minds. No one wants to see a 13 year old with overly acneic skin; they want to see beautiful smooth skin (yet realistic and not plasticky!!). Toward that end, if I can have SOME latitude of freedom in enhancing my photographs, I do feel justified, while keeping it true to the essence of the original. Say, I may not remove all acneic skin from a subject like in the Portrait Professional ads. Perhaps more often then not, it just may be like your above case, where they may be just problems of exposure or composition, which really isn't manipulation at all. If I were to place a label for your above example as Photography or Photographic Art, I'd list it as both! The essence is preserved and is believably real, making ti a photograph. I have seen REAL light rays that look like that - and it seemed unbelievable in real life! It just wasn't like that at the time of your photograph, but I suppose it could've been! Keyword is "could have been." Texture and vignette added would make like more "artful." But you know, after all that, in the end, by definition, it is a photograph after all!
Saturday, March 05, 2011 9:21:27 AM (Mountain Standard Time, UTC-07:00)
Hi Nichole, No stellar answers from me but the same train of thought, as is likely true for others. Is photography becoming redefined? Who knows where it is going? And why do we question it? Maybe it is for us who have been here since film that the changes are felt so accutely. Yes, your artwork is a photograph in the end, in my mind too. :) Kerri
Saturday, March 12, 2011 11:48:59 AM (Mountain Standard Time, UTC-07:00)
So my question is how much time did this photography take you from start to finish. It's Beautiful!
Wednesday, March 23, 2011 8:06:37 PM (Mountain Standard Time, UTC-07:00)
Love your post. thank you for sharing the process . What you do is ART and wonderful
Rose Kee
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About Nichole
Nichole

Nichole Van has repeatedly been labeled as a hot, new, up and coming photographer. As a Utah wedding photographer and a Utah portrait photographer, she specializes in turning everyday life into art. Nichole loves expressing the unique beauty of every client, creating artistic images that make people gasp when they see them.

As an international award-winning photographer, Nichole won the prestigious International 8x10 Portrait of the Year from Wedding and Portrait Photographers International (WPPI) for 2007. Consequently, her international award winning photography was featured in Rangefinder Magazine in June 2008. She has also taken First, Second and Third place honors from WPPI in other international competitions for her child and family photography. Additionally, Nichole has received numerous Accolades of Excellence and currently holds an Accolade of Photographic Mastery from WPPI.

In addition to her love for photography, Nichole loves teaching and enjoyed being English faculty at Brigham Young University for nearly 10 years. As the best of both worlds, teaching photography to others is her passion. Nichole currently offers international photography workshops focusing on helping others enhance creativity and artistry in their photos. Combining her excellence in teaching with her photographic knowledge, Nichole’s Life as Art Workshops are quickly revamping industry standards for photographic workshops.

Nichole lives in southern Utah County with her husband and three children. You can see her work at www.nicholeV.com.

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